Stage Drama: What is Stage Drama | All about Stage Drama

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Stage Drama All about Stage Drama What is Stage Drama

In the Stage Drama and performing arts, the Stage Drama (sometimes called the bridge in stagecraft) is a designated venue for productions. The stage serves as a place for actors or actresses and as a center (screen in cinemas) for the audience. As an architectural feature, the stage can consist of a platform (often high) or a series of platforms. In some cases, these may be temporary or modular, but in theaters and other buildings dedicated to such productions, the stage is usually a permanent element.

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There are many types of scenes that vary in their usage and audience ratio. The most common form in the West is the proscenium stage. In this genre, the audience is on one side of the stage and the rest is hidden and used by artists and technicians. Push stages can be similar to the first stage steps, but with a platform or performance field that is spread out in the auditorium so that the audience is on three sides. In the round theater, the audience is all around the stage. The fourth type of scene includes scenes created and found that can be built specifically for a performance or may include a room that is suitable as a stage.

Stage Drama terms

The stage itself is named to facilitate the movement and precise positioning of the actors on one stage (see blocking (scene)).

For an actor facing an audience, left and right are the opposite of the audience. To avoid confusion, actors and directors never use unverified terms left or right around the stage. Rather, they use a phrase that indicates a point of view. The terms left the stage and right stage refer to the left and right sides of the stage facing the actor’s audience, while left house and right house are reversed. Describe the sides of the stage as the audience sees them. In Germany, the right and left scenes are reversed because it is more of a director’s point of view than an actor’s.

The less ambiguous terms used in cinemas after a British tradition refer to fast side or p side (left view) and off label side or op side (right view) location. . Traditionally for the stage manager, in French, the terms side patio is used for the stage on the left and garden side for the stage in reference to the Tolreys Theater.

Similarly, the meanings of front and back will not be clear because they depend on the point of view. Instead, the term scene is used to refer to that part of the stage that is too far away from or away from the audience, while backstage refers to that part of the stage. Which is close to the audience. Public audience. It is moving in that direction or moving forward. These terms were common in large cinemas, giving the audience a better idea of ​​what is happening by tilting the floor (known as the tilted stage) so that the stage is actually at a height. More than a scene

The level of calculation may vary in its inclination. For the convenience of the audience and the actor, the ten degrees are considered [by whom?]. The slope of the dance floor is often different from the slope of the theater floor and can vary between three and twenty degrees.

Scenographic theory of Stage Drama

Stage Drama
Stage Drama

Regarding the approaches to the set, Rachel Hann suggested that there are no sets without sets. In this model, the stages are manifested through location-oriented features of the landscape (and not the other way around). The consequence is that the whole theater is scenographic, even if it has no defined objects or sets, since the whole theater is represented on a single stage. Hav sums up this position using the hybrid stage scene when discussing the tensions between the stories of these practices, particularly with reference to the original Greek scene as a physical tent or hut that ultimately shaped current conceptualizations of the scene.

Proscenium Stadium of Stage Drama

Since the Italian Renaissance, the most used scene in the West is the proscenium scene, which can also be called a photo frame scene. The main feature is a large opening known as the proscenium arch through which the audience can view the performance. The audience stands directly in front of the stage, which is usually several meters above the audience in the front row and sees only one side of the stage. This side is commonly referred to as the fourth invisible wall of the stage. The proscenium arch originated from the proscenium of ancient Greek theaters. It was the space in front of them, or backdrop, where the actors were actually playing.

The first indoor theaters were created on French tennis courts and in Italian Renaissance palaces, where newly introduced principles of perspective allowed designers to create breathtaking views with buildings and trees narrowing towards a Vanishing point on the horizon. The stage floors were raked lightly back and forth to increase the illusion of perspective and make the actors more visible to the audience, who were seated on flat floors. The audience seat was then raked and balconies added to give the audience a wider view. By the end of the 19th century, most stages were flat floors, and a large portion of the audience watched the stage rather than the stage.

Stage Drama Competition among royalty

Competition among royalty for elegant and lavish entertainment fueled and funded the expansion of European court theaters. The proscenium, often extremely decorative in the style of a triumphal arch, framed the image of the future. the sailboats to the unwinding and then to the lowering and raising of the canvas. A wooden trellis (and later a steel trellis) above the stage supported pulleys from which wooden slats had fallen or descended, then steel tubes with landscape pieces attached. The weight of the heavy pieces was balanced by sandbags. A full flight stage could cover the entire height of the stage above the visible stage with the rails before or during the performance, while a half-flight stage (common in small venues) does not. only features limited size props and save size so more neat background and landscaping was required. Theaters equipped with these string systems, which are manually operated by stage workers, are called hemp houses. They have largely been replaced by counterbalance fly systems.

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